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So much of today’s new technologies tend to offer (at least in marketing speak) out-of-the-box solutions to musicians’ and students’ problems. Softwares and plugins, devices and networks, are all designed to minimize the rough edges around taking the time to learn things the hard way, practice them, and interact with things and people. And while these tools are optional, and do provide new avenues for creative expression and learning, they sometimes also skip over some crucial steps in the lifelong learning process of the artist, particularly those steps that historically have happened in the classroom.
In order to set up yourself for success, keep your cords, microphones, headphones, and instrument equipment organized in specific, consistent spots so you always know where they are when you need them. And then, after you’re done with them, always return these items to their respective spots. Put guitars in cases or hang them on the wall, coil cables when they’re not in use, and build shelves to store stuff that gets used less frequently. Big plastic storage bins are also a great option for extra cables and assorted items.
You can hear how popular this song really was in Live at the Apollo by listening to how bonkers the crowd goes during that track. But while their faith may have been restored, they still didn’t see Brown as anything more than a single artist, inconsistent at best.
Music investors looking for talent 2019
Part two of this groove is what I hear as C# Phrygian with a unique form. I’m going to call the “Someone said” and “Biggie” refrains part of the larger chorus, which would mean that the verses and choruses all have different lengths!
Pizzetti went on to write all kinds of music, including music for the theater (which he continued to adore), and eventually became a teacher at the Conservatory in Florence. He would go on to become director there from 1917 to 1923, before moving on to direct the Milan Conservatory, and ultimately succeeding Ottorino Respighi as the director of the Academy of St. Cecilia in Rome from 1936 to 1958. Pizzetti’s oeuvre includes orchestral symphonies and concertos, operas, church music, chamber music, and one single film score for the 1941 film, I Promessi Sposi.
Here’s an interesting one. In 1983, Haruomi Hosono, a member of the famed Yellow Magic Orchestra with Ryuichi Sakamoto, and a well-known synthesist throughout the 1980s, was asked by the directors at MUJI to create “background music” for their newly opened stores. So, muzak. This blissful, sometimes atonal, wabi-sabi music has been described as “a playful, yet uneasy dream-space of aural fog.” It was released in a short run of cassettes and never heard about again… until now!
Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.
Since the housing bubble burst in 2008, banks are skittish about lending money to nontraditional earners like songwriters, here’s how you can beat them.
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With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.
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Harmonically, the “majorness” of the V chord is pretty weak, as you can barely hear the major third. And yet the harshness of the iiº chord in the intro is masked by the sweet flute-like tone. Lots of anomalies. Another anomaly is just how fast this song rose in the charts, and how even faster it then dropped, going from #5 to #60 to #91, and then who knows where.