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When recording acoustic guitars, most of the tone is going to come from the guitar itself, the microphone you chose, and the room you record in. You can find some great-sounding acoustic guitars for under $500 that can easily be used for recording. Pair one of these up with the right microphone and a recording space with great acoustics, and you’re good to go. [*Here are some quick tips on recording acoustic guitars if you need them!]

Diggers Factory is an online vinyl pre-order and production service built like a crowdfunding platform and with an international network of digital “crate-diggers” to back it up. Founder Alexis Castiel actually calls it “a community platform,” as it offers fans and professionals a chance to work together to make exciting projects come to life. Their mission is to help artists never waste another penny on costly vinyl production. 

Alex is a multi-instrumentalist, composer and producer from Sydney, Australia. He founded the post-rock band sleepmakeswaves, with which he has toured Asia, America, Europe and Australia. In his spare time he writes music for short films, produces bands and subsists on altogether too much coffee. Alex is the instructor of the free Soundfly course, Live Clicks and Backing Tracks.

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First impressions are important in music, so how you choose to introduce yourself to your local venues is a big deal. If you shoot off a quick email asking to play a show without having at least a few songs to share, you’re not going to be taken seriously. Recorded music is crucial in helping local promoters and talent buyers understand what your band sounds like and how you’d fit on a potential bill.

Soundfly welcomes new voices each month to offer unique perspectives, shine a light on unexpected musical worlds, and help our readers find their sound.

Electronic music is arguably the most international genre, its basic forms and sounds able to be infinitely adapted to a variety of different influences and contexts. In this article we’re shining a light on five of the most exciting and experimental electronic artists in the Middle East right now. Engage with what’s here not as a novel “difference” from the mainstream, but rather as a sign of the future where music-making is interconnected and accessible to more people than ever before.

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And then there’s Björk’s 2011 concept album Biophilia. By all accounts, this is one heck of a gesamtkunstwerk! The album was conceived and recorded between 2008-2011, inspired somewhat by the work of her environmental organization, the Náttúra Foundation, and explores the links between nature, technology and music. The album was also released on ten interactive mutimedia apps (one per song) that link the themes of the album to concepts in musicology.

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Alright, this one is another melody you’ve definitely heard before, whether you think you have or not. Francis Lai’s theme song to the film Love Story actually opens with two notes ascending a minor sixth, but if you skip ahead to 0:24, just after a short horn fanfare, those two notes reverse briefly before entering the meat of the run. Either way you play those two notes back, it’s a minor sixth interval, but train your ears to hear it as a descending melody to recognize the gap as such.

Another option for struggling songwriters is a private advance company. These companies offer advances to songwriters who have a threshold amount of annual royalty income with the promise of returning their rights when the advance is repaid. However, this type of loan typically comes with high interest rates and stiff penalties for non-payment. This can lead to many financial problems in the future and saddle the songwriter with debt for many years.

The odd timing, as the sequence starts on the “4” beat of the end of the solo, instead of the expected “1” beat, catches the ear off guard and adds to the mystical feel of this little interlude. The icing on the cake can be tasted when the bass doubles the notes from octaves below it — though at the start of the third octave, Jones dips back to the third below it, and finishes his last arpeggio back at the top of the second octave, instead of continuing on to the top of the third with Page. It’s a wise decision, as the widening gap in pitches helps accentuate the guitar’s rise to its zenith. It’s yet another classic example of Jones’ flashy but never overdone playing.

Next, reach out to any bands or artists you want to play with and get their availabilities. You should also reach out to local venues to get a sense of what’s open. Ask about either a range of dates or specific days. Making contact to start a conversation is a major step to getting yourself behind the wheel, instead of waiting around for someone to pick you up.

All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to help you achieve them.